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Review
Perhaps no one could be better suited to expanding the canonical limits than Lau and Goldblatt... this volume, with its Columbia label, its editors' stature, and its certifiable claim to be the first comprehensive anthology of its kind, cannot but achieve an instant authority. (Voice Literary Supplement)All the important modern writers are included... the overall quality of this volume is very high, making it easy to recommend this book for anyone interested in modern China and its development. (New Asia Review)This anthology is a great introduction to some of the very best in Chinese language fiction, poetry, and essays. (Terry Hong The Bloomsbury Review)This work is likely to remain the definitive survey for its field. (Choice)
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About the Author
Joseph S. M. Lau is professor of Chinese Literature at Lingnan University in Hong Kong. He is the editor of Chinese Stories from Taiwan and coeditor of Traditional Chinese Stories: Themes and Variationsand Modern Chinese Stories and Novellas: 1919-1949.Howard Goldblatt is professor of East Asian languages and literatures at the University of Notre Dame and an internationally renowned translator. He has published English translations of more than thirty novels and short story collections and has authored many books on Chinese literature.
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Product details
Series: Modern Asian Literature Series
Paperback: 784 pages
Publisher: Columbia University Press; 2nd edition (February 20, 2007)
Language: English
ISBN-10: 9780231138413
ISBN-13: 978-0231138413
ASIN: 0231138415
Product Dimensions:
6.2 x 1.5 x 9.2 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#241,691 in Books (See Top 100 in Books)
I strongly recommend this book for all who are interested in modern Chinese literature and history. I reference this book extensively in my history class, and my students enjoy having "book club" sessions about this book. The fact that all literature included in this book are relatively short make them excellent materials to work with in teaching and learning. All translations are beautifully done, and we need more books like this to promote Chinese literature for English readers.
This is a very collection of modern Chinese literature reading class. Classical masterpiece of Chinese writers from 1919 to 1976.
There are not so many books and translations on Chinese literature. I am using the book for my studies. Thanks.
amazing
OK. That is fine.
write a review
This is an authoritative anthology put out by a couple of great translators.Like other reviewers, I also enjoyed the fiction selections more than the poetry or essay selections. With poetry, things get lost in translation, and the essay selections were very different stylistically from Western expository writing. Whereas Western essay writing tends to value persuasive, descriptive details, some of the essays were vague and abstract and almost read like Taoist parables. The topics were, however, interesting in that they were totally different from what you might encounter in Western style essays--for example, in-depth analysis on whether or not ghosts age in the afterlife.As for the fiction, part one (1918-1949) included a lot of selections examining poverty in the context of a free market, and I thought many of these selections were pertinent for Americans. Favorites includes "Spring Silkworms" by Mao Dun, with vivid descriptions of the cultivating of silkworms as a metaphor for human greed; "Dog" by Ba Jin, a story told from the point of view of a lower class person who is treated so poorly he thinks he's a dog; "When I Was in Xia Village" by Ding Ling, about meeting a former Comfort Woman and learning about she plans to live out the rest of her stolen life; "Hands" by Xiao Hong a story about the bullying of a poor, annoying, young girl; and an "An Old and Established Name" by Lao She about how businesses need to change with the times or get taken over by capitalistic ways. Also "Steelyard" by Lai He, a meandering story about the stark disparity between the haves and have nots that ends in a dramatic turn of event, the criminal justice system stepping in to ensure tragedy. I should probably also mention "One Evening in the Rainy Season" by Shi Zhecun about a young woman who has a sudden and very deep flirtation with a man on a bus; the story sheds light on the changing roles of women in the 20th-century. A similar story "Sealed Off" tells the story of a man who thinks he sees his wife (or a former lover) also on public transportation.The selections from the later period, especially in Part 3 (Fiction since 1976) get awfully dark. There is more sex and adult topics, including the politics of the day which weigh heavily on the characters. In these stories, it's no longer capitalism causing the poverty, but communism. Stand-outs for me included: "Dogs*** Food" by Liu Heng about a spirited woman with a goiter who succeeds in feeding her family through the Great Leap Forward by feeding them dogs***; "Iron Child" by Mo Yan, a quasi-magical realistic story about a stranded orphan; and "A Story", a deeply disturbing story told from the point of a view of a man who is basically going around raping women but is unaware of it--worthy of discussion in the Western world.Many of the stories throughout, but especially in the later periods, feature dissolute characters who have lost any sense of decency because of poverty or corruption or both.Most of the selections are pretty short, between 3-20 pages so make for quick reading.It would be great if the author bios came at the beginning of each story, rather than altogether after the introductions, and if each story included a 1-5 sentence summary so the reader can decide if they are in the mood for that particular kind of piece or if they are at all interested in the story, depending on what their purposes are.
These comments are for the first edition of the book, which was published in 1995, not the second/revised version, which came out in 2007.The book was the largest collection of modern Chinese literature that I've seen, and must've taken some years to compile. It contained 152 works by 83 authors. There were 50 short stories (42 authors), 71 poems (30 authors), and 30 essays plus 1 excerpt from an autobiography (11 authors). The short fiction comprised about 70% of the book, poetry 10% and essays/excerpt 20%.There were 88 works from the 20th century from mainland China (47 writers), 58 from Taiwan (31 writers, including émigrés), and 6 works from Hong Kong from the 1970s and after (5 writers). Seventeen of the authors were women.The works were divided into short fiction, poetry and essays, with each of these divided further into pieces from 1918-49 (early modern), 1949-76 (post-"Liberation") and since 1976 (post-Mao). The middle period, 1949-76, was represented almost entirely by Taiwanese, including émigrés from the mainland. This was because most of the literature from the mainland during that time, intended mainly to promote the new society under the Communist Party, was judged unable to stand inclusion on artistic merit. The one exception was a poem by Mu Dan published at the period's end, in 1976.The short fiction was by far the most enjoyable section, with stories by the early moderns to 1949 (including Lu Xun, Mao Dun, Lao She, Shen Congwen, Ba Jin, Zhang Tianyi, Ding Ling, Wu Zuxiang, Xiao Hong, Zhang Ailing), writers from Taiwan from the 1960s to 1990 (Zhu Xining, Bai Xianyong, Li Yongping, Yuan Qiongqiong, Li Ang, Xiao Sa, Zhu Tianwen), and mainland writers after 1976 to 1991 (Qiao Dianyun, Wang Meng, Li Rui, Can Xue, Chen Cun, Mo Yan, Yu Hua and Su Tong). No writer besides Lu Xun was presented in any depth, but the coverage was broad. There were many strong works: humorous, ironic, naturalistic and humanistic, the best of which were written with compassion, powerful imagery and historical insight.Before 1949, there were a narrator's description of the decline of a store that couldn't shift with the times (Lao She), a ferocious depiction of oppression by landlords (Wu Zuxiang), a compassionate story about the effects of prejudice (Xiao Hong) and a wry description of a brief encounter in Shanghai (Eileen Chang). After 1976, there was a fascinating story showing how the treatment of an ancient artifact reflected the changing political currents of the times (Qiao Dianyun) and a piece showing unusually keen psychological insight into one man's behavior (Chen Cun). On Taiwan, there were stories with great descriptive power (Li Yongping), sometimes with allusive symbolism (Zhu Xining), reminiscences about the past (Bai Xianyong), and careful depictions of a relationship (Yuan Qiongqiong, Xiao Sa) and contemporary decadence (Zhu Tianwen).Missed in this prose section were a story from Liu Xianwu, one of the earliest post-Mao writers, Kong Jiesheng, another early post-Mao writer, and pieces from the 1980s by mainland authors Bei Dao, Cheng Naishan, Feng Jicai, Wang Anyi and Wang Shuo.In the poetry section, there were poets before 1949 (including Xu Zhimo, Wen Yiduo, Li Jinfa, Feng Zhi), many poets from Taiwan between the 1950s and 80s (Ji Xian, Yu Guangzhong, Ya Xian, Xiong Hong) poets from the mainland from the 1970s to 1990 (Mu Dan, Bei Dao, Shu Ting, Yang Lian, Wang Xiaolong, Gu Cheng) and an anonymous poem from Hong Kong following the government crackdown on the mainland in 1989.For this reader, the poems were much less interesting, marked by much self-consciousness and obscurity. One enjoyed was "Self" (1976), by Mu Dan, in which the speaker looked back at the selves of his life and wondered which one was real. Moving poems missed in this collection included "Spring Waters" (1923) by Bing Xin on love and optimism, the despairing "All" (ca. 1980) by Bei Dao, and a reply to it, "Also All," (ca. 1980) by Shu Ting. Or anything by Zha Haisheng (Haizi), another important poet for the post-Mao generations. Early poetry by Ai Qing from the 1930s was included, but nothing from 1979 or after ("Hope," "The Great Wall," "The Colosseum of Ancient Rome").The essay section highlighted writers before 1949 (Lin Yutang, Zhou Zouren, Zhu Ziqing, Feng Zikai, Liang Yuchun), those in Taiwan after 1949 (Lin Yutang, Yu Guangzhong, Yang Mu), a few writers on the mainland from the late 1970s (Ba Jin, Wen Jieruo) and one from Hong Kong in the 1980s (Dong Qiao). The majority of their works seemed bookish and/or ephemeral, unconcerned directly with the major events of their time, with too many on subjects like installing a telephone, going shopping, quitting smoking, getting sick or visiting the barber, activities about which it was often felt necessary to cite passages from Chinese classics or historic anecdotes.Interesting exceptions were an essay from the 1920s by Lu Xun for his first collection of short stories that described the aims behind his writing and the excerpt of a memoir by Wen Jieruo and an essay by Ba Jin about the suffering of those close to them during the Cultural Revolution. For most of the rest, I would've gladly traded the space they took up for more excerpts from memoirs -- such as Half of Man Is Woman (1985), by Zhang Xianliang -- or even extracts from important modern novels like Fortress Besieged (1947). No essay by Qian Zhongshu was included, either.All of the younger prose writers from the mainland who were featured in this anthology were still based in China after 1989. Among the poets, however, Bei Dao and Yang Lian had subsequently moved abroad, and Gu Cheng had emigrated in 1979.Because this first edition was published in 1995, the coverage of the 1990s naturally was scant: only five works. I'm looking forward to reading what's been added to the second edition, published in 2007, to reflect recent developments among Chinese writers, both in China and overseas.
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Get Free Ebook STP Caribbean Mathematics Workbook 3
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Product details
Series: STP Caribbean Mathematics
Paperback: 96 pages
Publisher: Oxford University Press; Workbook edition (November 1, 2014)
Language: English
ISBN-10: 1408518074
ISBN-13: 978-1408518076
Product Dimensions:
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Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
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Ebook Free R Graphics Cookbook: Practical Recipes for Visualizing Data
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Amazon.com Review
Q&A with Winston Chang, author of "R Graphics Cookbook: Practical Recipes for Visualizing Data" Q. Why is your book timely? A. Interest in R for data analysis and visualization has exploded in recent years. In the computer-tech world, computers and networks have made it much easier to gather and organize data, and more and more people have recognized that there's useful information to be found. To illustrate, consider the job "data scientist": this is a job title that didn't even exist five years ago, and now it's one of the hottest tickets on the market. At the same time, there's been a swell of interest in R in its more traditional setting, in science and engineering. I think there are many reasons for this. One, is that there's a growing recognition outside of the computer-programmer world that learning a little programming can save you a lot of time and reduce errors. Another reason is that the last few years have seen an improvement in the user-friendliness of tools for using R. So there's a lot of interest in using R for finding information in data, and visualization an essential tool for doing this. Data visualizations can help you understand your data and find patterns when you're in the exploratory phase of data analysis, and they are essential for communicating your findings to others. Q. What information do you hope that readers of your book will walk away with? A. As my book is a Cookbook, the primary goal is to efficiently present solutions for visualizing data, without demanding a large investment of time from the reader. For many readers, the goal is to just figure out how to make a particular type of graph and be done with it. There are others who will want to gain a deeper understanding of how graphing works in R. For these readers, I've written an appendix on the graphing package ggplot2, which is used extensively in the recipes in the book. This appendix explains some of the concepts in the grammar of graphics, and how they relate to structures common to data visualizations in general. Finally, I hope that readers will find ideas and inspiration for visualizing their data by browsing the pages and looking at the pictures. Q. What's the most exciting/important thing happening in your space? A. I'm excited that R is becoming more and more accessible to users who don't primarily identify as programmers. Many scientists, engineers, and data analysts have outgrown programs that provide canned data analysis routines, and they're turning increasingly to R. The growing popularity of R is part of a virtuous circle: as R gains a larger user base, it encourages people to create better educational materials and programming tools for R, which in turn helps to grow the number of R users. Technology-wise, I'm excited by Shiny, which is a framework for bringing R analyses to the web. (I should mention that this it's part of my job to work on the development of Shiny.) This makes it possible to build interactive applications for data analysis and visualization for users who don't need to know R, or even that the application is backed by R.
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About the Author
Winston Chang is a software engineer at RStudio, where he works on data visualization and software development tools for R. He holds a Ph.D. in Psychology from Northwestern University. During his time as a graduate student, he created a website called "Cookbook for R", which contains recipes for handling common tasks in R. In previous lives, he was a philosophy graduate student and a computer programmer.
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Product details
Paperback: 416 pages
Publisher: O'Reilly Media; 1 edition (January 6, 2013)
Language: English
ISBN-10: 1449316956
ISBN-13: 978-1449316952
Product Dimensions:
7 x 0.9 x 9.2 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
89 customer reviews
Amazon Best Sellers Rank:
#146,424 in Books (See Top 100 in Books)
This book is a must for anyone who works with ggplot2. There are so many excellent graph images, that I often flip through the book when I'm trying to figure out how to create a specific plot, but may not know what it is called.
If you're ever fumbling around with data in R, you're probably familiar with the built-in, unattractive graphics. ggplot2's been increasingly recognized as a necessity for getting the most out of your imagery. It offers nearly complete control over your graphics output, building them layer by layer.I spent a solid year learning and exploring R as a graduate student before I cracked open Winston Chang's R Graphics Cookbook and started learning ggplot2's little oddities. ggplot2 is itself almost like another language within R, but it's thankfully a very simple language -- far more simple and far more flexible, I feel, than the built-in graphics options.Since you'll be printing your graphics step by step -- your boundaries before your lines; your lines separately from points; etc. -- it's easy to keep track of where every impact on the output image is occurring, allowing you to easily tweak the code and get immediate results. E.g., if annotations are not lining up where you want, or font size needs to be reduced.Chang's cookbook is separated by what feature you need to either edit or create, making it easy to jump to what the reader needs. Full sections are devoted to bar graphs, line graphs, scatter plots, data distribution graphics, customizing annotations, axes, legends, color options, and cetera. Nearly 400 pages of text and images showing different ways of customizing and displaying every piece of your graphics. It's not a book you read cover to cover -- just the resource that 'cookbook' implies, meeting the reader's specific needs.If you want to just jump into the code and see what you can do with your own data, there's no better place to start. Almost no time is devoted to unnecessary exercises or teaching you the fundamentals of the R programming language. Exploring the far reaches of the Internet is a free alternative that's likely just as helpful, but Chang's book serves as a great reference, and contains almost everything you need all in one.
This book is the third that I have recently used to get up to speed on the R language and environment. The other two texts include "R in a Nutshell" and "R in Action" (see my review). The main catalysts behind my decision to purchase another book on R was my need to get up to speed with using the language to create graphs, and that not only are plotting functions that come with base R not unified behind a common interface and set of options, there exist limitations with base R plotting functions. Of course, there are other plotting functions across the over 2500 packages that have become available to the community, but the ggplot2 package that is the focus of this book is well regarded and grown in use to become one of the most popular R packages since its release in 2005.What Chang presents in this book is extremely practical. My recent pro bono work to move a client away from Microsoft Excel to this powerful open source platform and industry standard used for both small and big data analytics is partially testament to the usefulness of this book. While I have needed to peruse R package documentation as part of this work, it is not a stretch to say that a majority of what I needed was contained in this book, either as starting points or complete examples. The explanations are very well written and organized, and the fact that all of the pertinent graphs are in color was very helpful when it came time to understanding how ggplot2 can be used for tasks such as plotting multiple lines in one plot, and the data setup that is necessary to perform these tasks, which is a bit different than base R plotting functions, but worth the effort to use since ggplot2 employs universal usage patterns.While "R in Action" might be better at easing the reader into the R language and environment, this book starts with enough R basics in its first two chapters, such as installing packages and loading data, that most will find it sufficient for getting their feet wet, and the author's introduction to ggplot2 in the appendix combined with Chapter 15 (Getting Your Data into Shape) are not only well done, but very succinct for busy professionals. After discussing bar graphs, line graphs, scatter plots, and summarized data distributions, the author presents annotations, axes, legends, and controlling the overall appearance of graphs, followed by discussions on facets, miscellaneous graphs, and outputting for presentation. If you are new to ggplot2, you will probably need to touch a majority of these chapters to some degree in order to get up to speed, but information is easy to find. Very well recommended.
Great book! The book is very well organized, which enables fast learning.The reason for missing a star:After 3 chapters, I notice that there are a lot of similarities among of the plots. It would be immensely helpful if the author added a brief introductions on ggplot: the philosophy of the developers and the common features of different geoms. To me, it works like a photoshop, things work in layers and the order of layers affect the output. An overview of ggplot is helpful is because before you plot anything, it is a good idea to have a holistic picture in mind what layers I would be needing and which is the best way to organize the layers. Recipes are easy for instant hands-on, but to figure out the principles based on discrete recipes is a demanding job for average users.Updated: in the end of the book, there is appendix A, which explains the philosophy of ggplot. -This is exactly what I wanted. I realized this after finishing the first 6 chapter. It really helps.
I have Hadley Wickham's book on ggplot2 ggplot2: Elegant Graphics for Data Analysis (Use R!), which is a great introduction to advanced R graphics. However, since that book was published in 2009, a few updates in R and ggplot2 have made some of the tricks I used for plots obsolete and I've had to refer to the online ggplot2 documentation to update my code. The R Graphics Cookbook makes this task of finding best practices for ggplot2 much easier, and provides some really concrete examples. This R Graphics Cookbook and the ggplot2 book make for a powerful combination.
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Review
"A curious world, indeed, is brilliantly described in this definitive guide." “This is an exquisite book, truly covering both biology and cultivation of carnivorous plants.†"A beautifully illustrated and well-written book about carnivorous plants that will delight everyone interested in these fascinating species."
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From the Inside Flap
Plants that trap and eat animals: an amazing phenomenon that has inspired awe since before the days of Darwin. The victims may be flies and butterflies, small crustaceans, or even vertebrates the size of rats.Lured into the danger zone by optical, tactile, and olfactory strategies, the prey succomb to ingenious traps and face their doom. But unlike plants that temporarily catch insects for pollination, the true carnivores go considerably further: they digest them for the nutrients they need to survive in extremely inhospitable sites on land and in water. Drosophyllum lusitanicum can digest a mosquito within 24 hours. The common butterwort, Pinguicula vulgaris, digests small snimals within two days; a whole fly will disappear in Drosera anglica in four days.This exquisite book, copiously illustrated with closeup photography, provides detailed descriptions—including trapping mechanisms, digestion, and prey—and cultivation information for key species in 17 genera and 10 families. Most notably, it includes the first comprehensive listing of some 630 known carnivorous plant species, described in fascinating detail, with identification history and geographic distribution species by species. Physiological and ecological wonders abound in clear and accessible explanations by four author-scientists who work at the leading edge of research.Anyone captivated by the unearthly beauty of the "flowers of evil" will treasure this stunning, encyclopedic exploration, which also includes animal-trapping mosses and fungi, as well as advice for growing and buying carnivorous plants and an extensive international bibliography. It is an essential reference for hobbyist, naturalist, and collector alike.
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Product details
Hardcover: 224 pages
Publisher: Timber Press, Incorporated; Reissue edition (October 26, 2007)
Language: English
ISBN-10: 0881927929
ISBN-13: 978-0881927924
Product Dimensions:
7.8 x 0.8 x 10.5 inches
Shipping Weight: 1.8 pounds
Average Customer Review:
4.5 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#1,308,131 in Books (See Top 100 in Books)
After compairing this book with "The Savage Garden" by D'Amato and "Pitcher Plants of the Americas" by McPherson I think this book offers some interesting background information on the history, ecology and evolution of CPs in general that add to the other two books mentioned. It is written without too much botanical jargon while still offering good detail that is easy to follow and understand. Additionally, the book offers good information about habitats, trapping mechanisms, and features of each of the major different kinds of CPs out there. It also has lots of great photos that really add to the book. The biggest drawback this book has is the quantity and quality of cultivation and propagation information. It has some in there, but is not half as good as what is found in D'Amato's book. Better still are the "Grow Carnivorous Plants DVD series" done by Sarracenia Northwest if you main interest is learning how to grow and propagate CPs.
Excellent book. Covers entire spectrum of plants and cultivation. Detailed descriptions and information. Well-known author.Will be helpful as I try to cultivate plants.
This book covers all the basic aspects of Carnivorous Plants from their taxonomy, through ecology, physiology and evolution to how to grow them. I would say it is the one essential text for all enthusiasts. The text is illustrated with many amazing photographs and micro-photographs. I cannot recommend this book highly enough. It even makes a fascinating coffee table book for the uninitiated.
I bought this book to accompany my son's carnivorous plant collection. It was his 14th Birthday gift and this was an excellent addition to the plants that were bought.
This book is fantastic. I was looking for a book with with the ecology of carnivorous plants, their physiology, and their cultivation. I got all the information I needed. :) Great book with great pictures.
This is a collection of difficult to find, but essential information, with stunning illustrations! It is an English translation of a book which was originally published as a scientific treatis in a foreign language (German). A bit stilted, but very readable.
best of its kind
Great info on all aspects of the subject.
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