Ebook , by Iris Murdoch
Ebook , by Iris Murdoch
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, by Iris Murdoch
Ebook , by Iris Murdoch
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Product details
File Size: 913 KB
Print Length: 322 pages
Publisher: Penguin Classics (December 1, 2001)
Publication Date: December 1, 2001
Language: English
ASIN: B004DI7I32
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Amazon Best Sellers Rank:
#393,583 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
In December 2016, the book discussion group met at The LGBT Center in NYC to discuss this novel by a famous, but now rather ignored, British writer.While one member couldn't finish the novel because of the language and several readers commented on the very thorough descriptions of every vista, bush, and extraneous thought expressed, all of us liked the novel and some of us rather loved it.It's a bit old fashioned (perhaps in the best possible way) and British (originally published and a best seller in 1958). But the psychology and insight into human behavior remains realistic, and the discussion why characters are attracted (and repulsed) to religion and to each other rings true. In many ways the plot seems like an old Agatha Christie mystery with a group of unlikely characters drawn to a country house with a series of extraordinary events unfolding to reveal the characters' motivations. A number of the jokes and wacky characters are still funny and clever.The novel starts a bit slowly, perhaps why a few readers had a problem getting interested in it at the beginning. After I got to Chapter 7, however, which describes Michael's and Nick's school affair that took place many years before the current events of the novel, I was committed to the story, the characters began to be rounded out, and the story takes flight. But I was captivated from the first pages and was WOW-ed by the end of the first chapter when Dora arrives at the train station for Imber Court with a butterfly in her clasped hands.The spiritual setting is not a deterrent. I never felt preached to, even though "The Bell" treats us to two extensive sermons that advance the nature of the characters and resonate with the plot. Murdoch is very even-handed in her treatment of religion and the non-religious, even pointing out the forced silence and presumed loneliness of the cloistered nuns. It's probably good to mention that all the names are very British and meaningful. The officious James Tayper Pace is always referred to with all three names (say it out loud), Nick stands in for the devil "Old Nick," and most of the religious community has appropriate New Testament names, which serves to make Toby stand out as a real outsider.The novel itself is full of parallel characters and mirrored events: James Tayper Pace and Michael - each with their very different but paired sermons, the drunk Nick and his idealized identical twin sister Catherine, mismatched couples such as the Greenfields and the Staffords, the two mishandled affairs that Michael has, two suicides, and even the two bells (which are like characters). "The Bell" was written well before Gay Liberation, but Michael's and Nick's homosexuality is very open and non-judgmental. There's little coming-out trauma or questioning of the characters' gayness although period-appropriate homophobia is realistically presented. (In retrospect, James Tayper Pace is probably also gay but celibate, and Toby will turn out to be bisexual.)The ending is a bit of farce: lots of running around, unexpected appearances of characters, costumed towns people, missed connections, and lifesaving nuns. One of the saddest moments in the novel, however, is the howling of Murphy the dog before the long denouement.It's worth thinking about what the physical bells represent (something that wakes you up, the truth mired in muck?), as well as Nick's final "sermon" and act of destruction.I had a hard time imagining the physical layout of the Imber buildings around the lake, so I've created a map and attached it. If anybody has corrections or another proposal, send them and I'll update my map.
This is a book about religion and sex. The holy and the secular. Love and discord. Community and solitude. Hope and despair. This classic work by British novelist Iris Murdoch (1919-1999) is rightly considered one of the greatest English novels."The Bell" is the story of a lay community and their guests who live at Imber Abbey, all of who are well-meaning men and women, but each of whom is beset with personal problems. Attached to--but separated from--the lay community is an Anglican Benedictine convent, whose members vow to never leave the grounds. Enter the bell. The convent's tower once had a bell, and the legend of its disappearance is a central thematic part of the novel. The community has commissioned a new bell, which arrives and is "baptized." I shall reveal no more!"The Bell" has everything you want in a novel: an entertaining plot, wholly-developed characters that seem to pop off the page, poetic language (every word is important), and for the English majors in the crowd lots of imagery and symbolism to be analyzed and enjoyed.
Murdoch indulges her obsessional musings (not worthy of elevation to the appellation of "philosophy") about love and God with tiresomely repetitive observations about innocence, purity, idealism, and reality. The omniscient narrator jerks us around until, by the climax of the book, I simply didn't care at all and couldn't wait for the book to end. "The Bell" was published in 1958, and for its day was both painfully contemporary ("he worked like a black") and ahead of its time (in suggesting an extreme ideal of universal bisexuality). Murdoch conceivably considered herself in the living of her own life to be "advanced" in this regard. One very odd detail is Murdoch's use of the word "rebarbative". Did she have an editor? Can anyone read this book and not wonder at her using this distinctive and rather odd and precious word many, many times. Early in the book the narrator offers the observation that one of the characters learned this word at school and adopted it with particular fondness. Is her choice to have the omniscient narrator repeatedly use this word meant to indicate an identification with that particular character? Who knows? And who cares?
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Ebook Download Fathers and Sons (Oxford World's Classics)
Ebook Download Fathers and Sons (Oxford World's Classics)
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Fathers and Sons (Oxford World's Classics)
Ebook Download Fathers and Sons (Oxford World's Classics)
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About the Author
Richard Freeborn is an Emeritus Professor of Russian Literature at the University of London.
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Product details
Series: Oxford World's Classics
Paperback: 296 pages
Publisher: Oxford University Press; Oxford World's Classics edition (June 15, 2008)
Language: English
ISBN-10: 019953604X
ISBN-13: 978-0199536047
Product Dimensions:
7.7 x 0.6 x 5 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
260 customer reviews
Amazon Best Sellers Rank:
#51,573 in Books (See Top 100 in Books)
Because I liked the edition of SKETCHES FROM A HUNTER’S ALBUM that was translated by Freeborn, I ordered his version of FATHERS AND SONS for a class of mine this spring — and quickly regretted it. Part of every discussion was spent in making basic sense of the text; not only is his translation clumsy but there are lots of printer’s errors. An example: “Arkady got on with Katya. Odintsova with Bazarov and so it usually turned out that both pairs, after spending a short while together, went off each on their separate ways….â€Maybe the most unusual and annoying quirk of Freeborn’s is his frequent and completely unnecessary use of the word “literallyâ€:- “his pipe literally jumped up and down in his fingersâ€- “She literally ‘went into hiding’….â€- “he had literally felt himself sitting on hot coalsâ€- “You’ll literally forget my physiognomyâ€But the biggest problem with Freeborn is his lack of good judgment when it comes to choosing the right word. Whether he wants to be different or simply doesn’t know better, he makes some strange decisions, the most obvious of which is his use of the word “mister†when it should be “gentlemanâ€:- “He’s a mister of genius!â€- “You’re a dangerous mister.â€Once I got to that, I understood why the book was selling for $5.03.
“Fathers and Sons†by Ivan Turgenev, published in 1862, takes place in “Old Russia†with its horse-drawn vehicles and serf-society, but it is as current today as it was groundbreaking then. The older (the Fathers’) generation is seen as behind the times, too conservative, or too liberal. Nihilism was popularized by this novel. The younger generation portrays itself as worldly, sophisticated, and hip. The sons are often highly critical of the fathers. The social politics foretell the eventual revolution to come 65 years later.Though most of the characters are “old moneyâ€, landed pseudo-aristocrats and Russian military in background (and reasonably well educated – at least the men) thus giving the reader a view of Russian life from their perspective, the thrust of the novel illuminates the age-old differences between the generations and the gaps between science and superstition.“Fathers and Sons†is not a sweeping epic tome that launches you into the great endless Russian landscape. Rather, it’s short, about 220 pages, and yet is filled with adventure, great characters, a little humor, personal triumphs and tragedy, to say nothing of the sounds, smells, tastes, travels, food and drink of the day. Thus, it is tidy and centered only on the story of the particular fathers and sons. It’s a sumptuous brief novel which reads exceedingly well and quickly. The translation is modern and apt. Each of the 2 sons (who are great friends in their 20’s at the time of the novel) are as different as can be. At first for during the initial 40 or 50 pages or so, I began to think the 2 young men (the sons) were “more†than just pals. I was wrong about that and glad for my mistake. Their growing pains and pleasures, constrained by culture and protocol of the time, seem normal and universal by the end of the story. One — Arkady Kirsanov – eventually marries happily and the other – Yevgeny Bazarov, the nihilist …. well, you’ll have to read it to find out.Not one page disappoints. “Fathers and Sons†is true treasure to discover and devour. It’s a 5 for sure, a classic.
One of the best Russian novels of the nineteenth century, and a great place to start for anyone looking to dive into Russian literature. Set in mid-nineteenth century Russia, the novel tells the reader a great deal about life and society of the period, as well as the intellectual movements affecting Russian life and society. Moreover, and what makes this novel so enjoyable and easy to read for anyone, it contains universal themes about love and relationships between parents and children, and how those change as children grow and come to view their parents differently. I've read it probably a dozen times and love it as much each time. I can't recommend it enough. I assign it to my classes and students always like it too.
This is my second novel by Turgenev. I enjoyed "Sketches from a Hunter's Album," better. The beginning of this novel, was intriguing while the author illustrates the plot of the characters. However, it becomes quite tedious with his introduction of additional characters whom do not play an integral part of the story. One can assume based upon the title that the author wishes to portray Father & Son relationships in a mid-19th century setting, yet both of the relationships which the author foretells does not end with any real purpose or conclusion. This was a disappointment. Nevertheless, the central theme revolves around the generational continuity between children and their parents even in the amidst of societal philosophical differences. It is in these differences which remains consistent from one generation to another. A phrase in summary with a perspective that regrets that look like hopes and hopes that look like regrets result when youth has subsided and old age has not yet come.
Overall I enjoyed this sometimes I find Russian literature a tad "dry' but this story had a bit of everything to appeal to most readers I felt.The relationship between a father and his son I felt as applicable today as it was in the past. The older and younger generation, some dynamics don't appear to change overmuch.All of the characters on offer were well portrayed but it was the abrasive Bazarov who finds he is not as immune to what happens around him the most interesting.Enjoyed the clash of ideals, culture and class. Another offering from the Boxall 1000 list and well worth the time.
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